Someday the poster for @joe_satana’s Holy Wound will be finished; someday the movie will be finished too.
A @khloaris production.
illustration
Rachel Antonoff FW19
Selected cows+ for toile, Rachel Antonoff FW19 (aka last year’s Christmas presents for the extended family). Oil on paper, watercolor on paper, hours in Photoshop. Now available printed on actual clothing through @rachelantonoff
(Click through)
Marfa Open Italia: Ferrara
Thank you Ferrara and Factory Grisù for a wonderful start to our #friarjustin project!
Last night @mayameissner and I had our first performance experience, facilitating an exchange of secrets between strangers. Our visitors wrote their secret on the back of a photograph, receiving in return the secret of a stranger to carry with them. These secrets were written in English, Italian, German, and Albanian, by children, by adults, by the elderly.
Friar Justin’s life, as it exists in the photographic keepsake evidence that we found in garbage bags, was one of generosity and spiritual comforting. By encouraging others to let go of the things that burden us in this life, and anonymously take on the secrets of others, we hope to continue the theme of that life. .
Now we're packing it all up and will be building the next instantiation in Venice this week. #marfaopen #marfaopenitalia
Illustration for the Baffler, issue 28, “Blood ‘n’ Guts.” High Maintenance. 2015. Graphite on drafting Mylar and digital, 6″x6″.
One of two illustrations done for the Baffler, issue 27. Gustus Dei. 2015. Graphite on drafting Mylar, digital, 6″ x 5″.
in animation
Just a few more days of the Nuts! Kickstarter and it’s gaining some traction! I drew the sad things. That’s John Brinkley’s actual tombstone: it really looks like a penis with an angel on top.
in animation
A still from one of the scenes I animated for Penny Lane’s new documentaryNUTS! The John Brinkley Story.
This is the last week of the Kickstarter campaign: http://kck.st/1BszQHT
Rewards include a fine art print of the painting I did of John Brinkley riding a goat across the Mexican border (classier than it sounds, real good for adding a touch of elegance to your home. Maybe best for the bathroom), and all my original drawings from my animation are available. The other animators have some great rewards, too—you can even get your face drawn into the movie, or your name on a shop on Main Street in Milford, Kansas.
in animation
Sneak peak! Tiny detail, from a graveyard scene.
Prepare yourselves: http://brinkleyfilm.com/
Family and Others. Graphite on vellum, gouache on paper and digital finish.
Melt.
Graphite on drafting vellum, digital.
Summer babe/Tan lines, this time with the use of a scanner. I don’t know which version I like better, so I’m not replacing the weird photographed one.
Sphinx, for the defunct Illustration Naked Party. The theme is mythical creatures.
Another unfinished idea.
Summer babe.
Catsitting away from home and without a scanner, so I photographed all the frames of line-art and did my best to line them up…pretty funky, kind of like it, but I might scan it for real next week.
For Clay Rodery, who requested that I make this drawing ten times grosser by animating it.
Wishbone.
Bramble Ghost, for Iain Burke’s collaborative Ghost zine, which will be available at his show on May 23rd, 6-10 p.m., at Pine Box Rock Shop in Brooklyn, NY.
Finished this with half an hour to spare…
Quick piece I made last month to illustrate a scene from Sylvia Plath's The Bell Jar, for issue 22 of The Baffler magazine.
Dog-faced cat-lover.